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Since
1993, Fugues en Liberté organises yearly gatherings of
about 40 experienced amateur musicians who have the opportunity to practice
chamber music intensively during a week with the coaching of highly qualified
teachers. |
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| workshop | ||
The
workshop is designed for non professional musicians from good to high
level, with a good experience of chamber music. |
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Preparation
beforehand of a minimum of two pieces is requested from participants to
allow for serious work during the workshop. |
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| The
choice of pieces takes into account preferences and levels of each one,
and also the possibility to include them in the general programme. |
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| A
good ability to sight-read will increase the possibilities of playing
pieces other than those prepared during or outside hours coached by the
teachers.
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| coaching |
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| Coaching
takes place 5 hours a day. During the rest of the time groups gather freely
to play other pieces. Teaching is done by a team of specialized teachers
who have an extensive experience in the teaching of chamber music. Among
them we can mention: |
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Werner
Hinz |
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| Previously
violin solo in the Philharmonc Orchestra of Friburg and in the orchestra
of Baden-Baden. He has taught in Sarrebruck, at the European Conservatory
in Paris and at the Nice Conservatory. For 12 years he taught in various
Summer workshops including in Pont-Saint-Esprit, in cooperation with Ivry
Gitlis. |
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| Jacques
Raynaut |
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| Pianist,
soloist at Radio France, studied with Claude Helffer, Yannis Xenakis,
Karlheinz Stockhausen . He has performed in a number of countries and
participated in the creation of over 70 works of contemporary music. He
played with the Percussions de Strasbourg, Musicatreize, and several other
ensembles. |
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| Joël Soultanian |
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| He studied the viola in the US when he then played in a number of festivals. Back in France, he joined the Vitti Quartet and the Ensemble Orchestral de Paris. He has made a number of recordings. He participates yearly in the Festival of French Music of Kaosiung in Taiwan where he gives master classes and concerts. |
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| Matthieu Fontana | ||
Conservatoire graduate in cello and chamber music. He creates the Ebène string quartet and during the following five years wins several prizes and international competitions. He then decides to contribute to the revival of pre-19th century music and plays with numerous ensembles and regularly with the Matheus Ensemble. |
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| Bernard
Marin |
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| Flautist,
he has a degree in chamber music from the Aix-en-Provence Conservatory and a State degree in flute. He teaches in the Conservatoire National de Region of Marseille and he's always been interested in coaching which he does in several workshops. He gives many concerts with chamber music groups. |
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| You
play chamber music. You have reached a good level. You would like to have
the opportunity to improve, thanks to the help of professionals.This is
the objective of the Fugues en Liberté
workshop |
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| You
want to find in a workshop an efficient organization which will allow
you to totally devote yourself to your passion. Testimonials received
from participants since 1993 prove that we have succeeded in that way. |
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| In
an exceptional touristic region, Provence, in a friendly and international
atmosphere, you will meet very good amateurs of different ages, training,
and professional experience, all with a passion for music. |